When looking at the cover of this book I was curious; wondering what Maus would hold, how I would like it, what I could learn from it. To be honest I was not any too enthused about reading this whole thing on the beautiful weekend, but once I started I got more and more into it, as I do with most good books.
As I began reading the comic format this book held was a challenge, I would miss boxes and then be lost and have to figure out which one to start over at. But once I was through the first couple pages I became better and I go the hang of it. One of the other challenges of this book was picturing the mice, pigs and cats as actual people. This is such a sad and heartbreaking topic, I was not sure how I felt of it as being made into a comic setting. When I see a book set up as a comic strip I instantly think it will be light hearted and funny, this is not the case for this book. I believe maybe this is the best way for the author to put it in a way that he is comfortable with and made it somewhat easier for him to deal with. Since this tragic event didn’t directly affect me it is hard for me to put it in perspective: how bad things were, what had to be done to survive, the things that had to be sacrificed for safety and the not unsure future you hoped to survive.
Often while reading when I would stop to think about what I had read, I would have to correct the version of the book that I saw in my mind to hold people instead of cartoon figures. I think he did this in such a way that made us realize the Jews were not viewed as people, merely as lowly things. That they were the “low man” on the totem pole so to speak, I believe he also did to this to make it easy to pick out the Poles, the Jew and the Nazis; because to just draw them and hope we could tell the difference would have been a challenge for Speigelman and the readers.
This is one of the most creative ways I have read about Nazi Germany and Holocaust. Most of the time it was in history class with a dry long winded professor or in a novel that sometimes lacked insight. This version is unique, yet challenging in its own way. Since you can see the ‘people’ its easy for me to out them in my head, but it made me think of them as non-human, so then to put faces with characters after I had seen them in the book as mice challenged me.
Another thing about this book was going from past to present. The way he separated this was the lines around the illustration; if they had lines it was part of his fathers’ story, if it was open and had no lines then it was present day while he was speaking with his father. It made it a bit easier to separate things, in respect to past and present.
My favorite panel in Maus was when Art was talking with his father and step mother and they were all arguing and Art walked away saying he had to go write this conversation down before he forgot it. To me that was a key in making it apparent to us that this was a real man, just like us, not another character in a book. This happened to the ones he loved and cared about. I felt as though those little things that he added into the text were helpful in making us understand how the process went.